How many kinds of documentary

It helps me to categories the documentary when teaching. Hello, I found this article very interesting and invaluable. I am doing a radio documentary as part of my final year thesis in Journalism in Dublin City University Ireland.

I want to do it on Rural Isolation In Ireland as i think its a huge issue that has not been highlighted before. As i love the issue so much I want to give it justice and do it in a way that would be special.

I was wondering, from a different persepective what you think of this Idea and what way would you approach it? I study physics bt sum how i was askd 2 do a presentation on this topic n got stuck…thanks 4 help. Visit,easily the best visual extensions of the greatest band ever. What interests me about these two films are the intimacy the camera brought me,the intimacy between me and the characters,the intimacy between me and the truth.

So I looked it up on Internet,and found 6 documentary sub-genres: […]. Great article, I really loved the fact you had examples as well. I think it anchors peoples knowledge as to what the specific documentary is much faster. Collaborative Documentary Workshop. Someone may interested on this documentary films that shows the ancient history and the growth of human civilization relates to the ancient civilization all over the world.

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Andualem Deressa. The camera will follow these participants in an observational style: exploring how they participate in their culture whilst living so far away from home.

The […]. I am doing a radio documentary as part of my final year thesis in Journalism in Dublin City University …… […]. Watching the different variations of documentaries would help me out because there are different ways that I could present my ideas to the people. Of […]. What I was looking for was a term that could describe shooting travel documentary […]. Name 6 types of documentary. Last accessed 20th Feb […]. On the other hand,participatory documentary captures the relationship with the filmmaker and […].

Thank you so much, this piece helped me get through my problems with my netball team. God bless you kind sir. I found this article so interesting. As well as being highly skeptical of […]. This usually includes interviews, conversations and maybe the exchange of experiences. In this, the filmmaker becomes a character in the film, and thus part of the events that happen.

You can see this form in talk shows, witness statements or interviews. Another name this might be called is an Interactive documentary. First started in the s, these types of documentaries showcase the true meaning of the film in an indirect way.

Instead, it is often fragmentary and impressionistic in communicating the story or the meaning. This is often the case with nature or animal documentaries. This first became popular in the 50s and 60s and become a popular Cinema Movement. This type involves a personal connection to a historical or political event.

Oftentimes, these are purely subjective and offer a personal touch. Many performative documentaries are autobiographical and often include re-enactments using the point of view of the subject.

Think of how Michael Moore does his documentaries. He weaves his personal stories as a way to present or construct a social truth without needing to validate the experience as absolute. This type often draws attention to the fact that not all documentaries offer the truth.

Most of the time they are carefully constructed and packaged the best way possible. According to Bromhead, documentaries reach the hearts and souls and not just minds alone.

Centre for documentaries is storytelling which is an emotional response and empathy. Contrast to Nichols rationalistic view, she mentioned the cinematic qualities of the documentaries. According to Bromhead, cinema is experimental, expressive, and it arouses as well as acknowledges the subjectivity.

Cinematic documentaries involve innovative cinematic devices, utilizes the appropriate articulation of opinions. It takes into consideration the viewpoint of the filmmaker and the creative aspects of film-making.

Whereas the journalist and rationalist view are based upon verifiable facts. Here, the film-makers creative aspect is subject to rejection. Here, the subjectivity of the film-maker always comes to the fore. Linear Mode : It includes Classic or Hollywood storytelling; it is character-based and it involves three-act structures, as it revolves around the arc of conflict and story-telling. Examples: Primary , Drew and Leacock. Discursive mode : It involves priority to information and it is typical of current affairs documentaries, political documentaries.

It may give more scope to cinematic concerns rather than purely journalistic filmmaking. It often relies on archives to elucidate the story.

Examples: The War on Democracy Episodic mode : It juxtaposes circumstances that have no causal or narrative relationship with each other. It is often enjoined by a single dominant theme or idea e.

Poetic Mode : It consists of audiovisual poetic associations.